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Showing posts from 2019
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ART REVIEW: Zanele Muholi and The Women's Mobile Museum Exhibition Ask: Who is Art For?

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ART REVIEW: Suzanne Bocanegra: Poorly Watched Girls

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MOVIE REVIEW: A Boy Called Sailboat

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MOVIE REVIEW: Follow Me: The Teenage Wasteland Of Instagram In “Social Animals”

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ART REVIEW: Yoga poses at Grizzly Grizzly, in William Downs’s surreal wall drawing

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BOOK REVIEW: 'The 7 1/2 Deaths of Evelyn Hardcastle' Is a Stellar Mystery Yarn [PREVIEW]

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ART REVIEW: Negotiating History: Sally Mann’s "A Thousand Crossings" Exhibition and the Question of Photographic Privilege

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MOVIE REVIEW: "The New Romantic": Jessica Barden Shines Despite A Slight Script

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ROUND-UP September 26-October 10, 2019

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MOVIE REVIEW: On the Basis of Sex

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ART REVIEW: Speculative collages of Saba Taj at Twelve Gates Arts re-imagine the future through a queer, brown perspective

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ROUND-UP September 3-27, 2019

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MOVIE REVIEW: What to Do When a Nazi Runs for President

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MOVIE REVIEW: "The American Meme" Is The Most Disturbing Movie Of The Year

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